Far from home? Functions of escapism and portrayal of the tropics in 'La Habanera' (1937)
The Ministry of Propaganda was attracted by cinema's great potential to unite three distinct endeavours: Employing cinema as entertainment, propaganda tool, and economic commodity. In case of Detlef Sierck's La Habanera (1937), the blend of form and text promised great success as cinematog...
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Format: | Article |
Language: | English |
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2009-10.
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Online Access: | Get fulltext |