Above ground or under ground: the emergence and transformation of "Sixth Generation" film-makers in mainland China
This thesis redefines the Sixth Generation of Chinese film by examining the characteristics of some young directors’ films from the perspective of theme, form and production mode, essentially, from the perspective of the relationship between these directors and their times. I suggest that the most i...
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| Language: | English en |
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2008
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| Online Access: | http://hdl.handle.net/1828/894 |