Musical time and recording technology: A perspective from music theory.
This thesis deals with two categories of musical time, concrete and subjective, and the effect of recording technology on musical time. Concrete musical time can be measured in an objective way, for example, through reference to standards of time external to the listener, such as clocks. Subjective...
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University of Ottawa (Canada)
2009
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| Online Access: | http://hdl.handle.net/10393/9595 http://dx.doi.org/10.20381/ruor-16406 |