Transcultural Representation of Circassian Music in Mily Balakirev's Islamey: Oriental Fantasy (1869)
This thesis examines the context in which the Russian composer, M. Balakirev, used folk idioms to create a representation of Circassian musical culture in Islamey: Oriental Fantasy. It was composed for piano in 1869 after Balakirev’s trip to the Caucasus during its colonization by the Russian Empir...
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| Language: | en |
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Université d'Ottawa / University of Ottawa
2015
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| Online Access: | http://hdl.handle.net/10393/32328 http://dx.doi.org/10.20381/ruor-4316 |