Exploring performance-oriented analysis through an examination of title character's two arias in Carlisle Floyd's "Susannah"
This thesis adapts a model of performance-based analysis and utilizes it to interpret the title role in Carlisle Floyd's opera, Susannah (1955). Using John Rink's model as a guide, this performance-oriented analysis reveals the relationships between the musical and textual elements within...
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| Format: | Others |
| Language: | en |
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University of Ottawa (Canada)
2013
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| Online Access: | http://hdl.handle.net/10393/27673 http://dx.doi.org/10.20381/ruor-12192 |