Representation and identity: A study of the Brussels 228 chansonnier and patronage in Margaret of Austria's court
This study examines the sixteenth century chansonnier, Brussels 228, which was compiled for Margaret of Austria (1480-1530). The analysis of the text, music, and gendered discourse found within will reveal how Margaret's status as a widow and a ruler influenced her musical patronage and the con...
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| Format: | Others |
| Language: | en |
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University of Ottawa (Canada)
2013
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| Online Access: | http://hdl.handle.net/10393/26951 http://dx.doi.org/10.20381/ruor-18456 |