The Making of the Ephemeral Beauty: Acceptance and Rejection of Patriarchal Constructions of Hongyan Boming in Late-Ming Texts
This thesis explores how late-Ming writers interpreted the expression “beauty is ill-fated” (hongyan boming) and how male and female writers constructed and accepted the image of the ephemeral beauty (hongyan) differently. I argue that late-Ming male literati destigmatized and immortalized hongyan,...
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Language: | en_US |
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University of Oregon
2019
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Online Access: | http://hdl.handle.net/1794/24177 |