Authenticity and the Copy: Analyzing Western Connoisseurship of Chinese Painting through the Works of Zhang Daqian
This thesis examines conflicting attitudes regarding artistic authenticity and differing approaches to connoisseurship vis-à-vis the field of Chinese art and its reception in Europe and North America. Although this thesis examines both Chinese and Western approaches to the copy and highlights differ...
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| Language: | en_US |
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University of Oregon
2014
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| Online Access: | http://hdl.handle.net/1794/17918 |