Monster Mothers and the Confucian Ideal: Korean Horror Cinema in the Park Chung Hee Era

Monster Mothers and the Confucian Ideal: Korean Horror Cinema in the Park Chung Hee Era

This study explores the patriarchal unconscious underlying the Korean horror genre through a critical feminist psychoanalytical reading of the family dynamics and female agency in three landmark texts, namely, The Public Cemetery under the Moon (Kwon, Chul-hwi, 1967), Mother's Han (Lee, Yusup,...

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Bibliographic Details
Main Author: Oh, Eunha
Format: Others
Published: OpenSIUC 2012
Subjects:
Confucianism
Korean Horror Cinema
Park Chung Hee
Psychoanalysis
The Female Spectatorship
The Monstrous Mother-Son Relationship
Online Access:https://opensiuc.lib.siu.edu/dissertations/489
https://opensiuc.lib.siu.edu/cgi/viewcontent.cgi?article=1489&context=dissertations

Internet

https://opensiuc.lib.siu.edu/dissertations/489
https://opensiuc.lib.siu.edu/cgi/viewcontent.cgi?article=1489&context=dissertations

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