Dialogicality in selected Nando's television advertisements: A multisemiotic approach

Magister Artium - MA (Linguistics, Language and Communication) === This thesis explored the mobility of semiosis other than language in the discourse of television advertising. Gilje (2010) highlights that remediation is the defining characteristic of new digital media and researchers have been slow...

Full description

Bibliographic Details
Main Author: Roberts, Zulpha
Other Authors: Banda, Felix
Language:en
Published: University of the Western Cape 2018
Online Access:http://hdl.handle.net/11394/5836
id ndltd-netd.ac.za-oai-union.ndltd.org-uwc-oai-etd.uwc.ac.za-11394-5836
record_format oai_dc
spelling ndltd-netd.ac.za-oai-union.ndltd.org-uwc-oai-etd.uwc.ac.za-11394-58362018-05-02T03:57:16Z Dialogicality in selected Nando's television advertisements: A multisemiotic approach Roberts, Zulpha Banda, Felix Magister Artium - MA (Linguistics, Language and Communication) This thesis explored the mobility of semiosis other than language in the discourse of television advertising. Gilje (2010) highlights that remediation is the defining characteristic of new digital media and researchers have been slow in the development of theories and frameworks within multimodal phenomena. Therefore, the purpose of this study was to explore how Nando's producers recycle semiotic resources in the selected television advertisements. The researcher used a multimodal/multisemiotic approach, in which, concepts of semiotic remediation as re-purposing, resemiotisation and intertextuality proved to be a common discourse practice used by Nando's producers to produce new meaning in the new mediated representation. The researcher demonstrated that the 'new' advertisements created a new world order that is both real and fictional. This means that Nando's producers were able to remediate real life aspects and recontextualise them into their fictional advertisements, and vice versa, to evoke immediacy and hypermediacy. The double logic of immediacy and hypermediacy is complemented by the notion of semiotic remediation, and considered an aspect of remediation. Hence, the researcher's contribution towards this study was to introduce the notions of remediation and the double logic of immediacy and hypermediacy as tools in the social semiotic approach to multimodality. Moreover, this study showed that the Nando's advertising discourse relies primarily on everyday social discourses of culture, economics, religion and politics as their base for creativity. Thus, the researcher demonstrated, through the notion of chronotopes, how Nando's has invented advertisements that were able to conflate past and current timescales through the integration and recycling of prior semiotic material from past objects, events and activities for new purposes. This investigation proved, to a large extent, that the production of Nando's advertisements are re-presentations of prior semiotic material in time and space. 2018-03-22T11:24:26Z 2018-04-30T22:10:07Z 2018 http://hdl.handle.net/11394/5836 en University of the Western Cape University of the Western Cape
collection NDLTD
language en
sources NDLTD
description Magister Artium - MA (Linguistics, Language and Communication) === This thesis explored the mobility of semiosis other than language in the discourse of television advertising. Gilje (2010) highlights that remediation is the defining characteristic of new digital media and researchers have been slow in the development of theories and frameworks within multimodal phenomena. Therefore, the purpose of this study was to explore how Nando's producers recycle semiotic resources in the selected television advertisements. The researcher used a multimodal/multisemiotic approach, in which, concepts of semiotic remediation as re-purposing, resemiotisation and intertextuality proved to be a common discourse practice used by Nando's producers to produce new meaning in the new mediated representation. The researcher demonstrated that the 'new' advertisements created a new world order that is both real and fictional. This means that Nando's producers were able to remediate real life aspects and recontextualise them into their fictional advertisements, and vice versa, to evoke immediacy and hypermediacy. The double logic of immediacy and hypermediacy is complemented by the notion of semiotic remediation, and considered an aspect of remediation. Hence, the researcher's contribution towards this study was to introduce the notions of remediation and the double logic of immediacy and hypermediacy as tools in the social semiotic approach to multimodality. Moreover, this study showed that the Nando's advertising discourse relies primarily on everyday social discourses of culture, economics, religion and politics as their base for creativity. Thus, the researcher demonstrated, through the notion of chronotopes, how Nando's has invented advertisements that were able to conflate past and current timescales through the integration and recycling of prior semiotic material from past objects, events and activities for new purposes. This investigation proved, to a large extent, that the production of Nando's advertisements are re-presentations of prior semiotic material in time and space.
author2 Banda, Felix
author_facet Banda, Felix
Roberts, Zulpha
author Roberts, Zulpha
spellingShingle Roberts, Zulpha
Dialogicality in selected Nando's television advertisements: A multisemiotic approach
author_sort Roberts, Zulpha
title Dialogicality in selected Nando's television advertisements: A multisemiotic approach
title_short Dialogicality in selected Nando's television advertisements: A multisemiotic approach
title_full Dialogicality in selected Nando's television advertisements: A multisemiotic approach
title_fullStr Dialogicality in selected Nando's television advertisements: A multisemiotic approach
title_full_unstemmed Dialogicality in selected Nando's television advertisements: A multisemiotic approach
title_sort dialogicality in selected nando's television advertisements: a multisemiotic approach
publisher University of the Western Cape
publishDate 2018
url http://hdl.handle.net/11394/5836
work_keys_str_mv AT robertszulpha dialogicalityinselectednandostelevisionadvertisementsamultisemioticapproach
_version_ 1718634117974720512