Sebopego sa diretotumišo tša bogologolo tša ditaola tša Sepedi (Sepedi)

Sebopego sa diretotumišo tša bogologolo tša ditaola tša Sepedi (Sepedi)

Eiselen (1932: 1) commented that the Black population of South Africa attached a particular religious value to the dolos art. He consequently collected some of the dolos sayings, but did not delve deeper into them. 1932 can hence be considered to be an important year with regard to this genre in the...

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Bibliographic Details
Main Author: Kekana, Thupana Solomon
Other Authors: Prof M J Mojalefa
Published: 2013
Subjects:
Hemistich
Poetic language
Repeated segment
Praise poem
Long measure verse
Long measure repetition
Tone pattern
Divinatory poem
Metrical composition
Verse form
UCTD
Online Access:http://hdl.handle.net/2263/26171
Kekana, T 2005, Sebopego sa diretotumišo tša bogologolo tša ditaola tša Sepedi (Sepedi), MA dissertation, University of Pretoria, Pretoria, viewed yymmdd < http://hdl.handle.net/2263/26171 >
http://upetd.up.ac.za/thesis/available/etd-07102007-150705/

Internet

http://hdl.handle.net/2263/26171
Kekana, T 2005, Sebopego sa diretotumišo tša bogologolo tša ditaola tša Sepedi (Sepedi), MA dissertation, University of Pretoria, Pretoria, viewed yymmdd < http://hdl.handle.net/2263/26171 >
http://upetd.up.ac.za/thesis/available/etd-07102007-150705/

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