A critical study of five reconstruction of Bach's Markuspassion BWV 247 with particular reference to the parody technique
A part of Johann Sebastian Bach’s musical duties in Leipzig was to present an annual setting of the passion for Good Friday Vespers. One such work was the Markuspassion, performed in 1731. Although the score of this companion work to the Matthäuspassion and Johannespassion has been lost, the origina...
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University of Pretoria
2013
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| Online Access: | http://hdl.handle.net/2263/26093 Fourie, P 2010, A critical study of five reconstruction of Bach's Markuspassion BWV 247 with particular reference to the parody technique, MMus dissertation, University of Pretoria, Pretoria, viewed yymmdd < http://hdl.handle.net/2263/26093 > http://upetd.up.ac.za/thesis/available/etd-07062011-122302/ |
Internet
http://hdl.handle.net/2263/26093Fourie, P 2010, A critical study of five reconstruction of Bach's Markuspassion BWV 247 with particular reference to the parody technique, MMus dissertation, University of Pretoria, Pretoria, viewed yymmdd < http://hdl.handle.net/2263/26093 >
http://upetd.up.ac.za/thesis/available/etd-07062011-122302/