The South African Blue Notes : bebop, mbaqanga, apartheid and the exiling of a musical imagination.
During the middle decades of the twentieth century, the exiling from South Africa of jazz musicians, including The Blue Notes, brought the discourses of local jazz, its performance culture and repertoires, to international attention. This process points to jazz’s global reach and raises questions ab...
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| Language: | en |
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2010
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| Online Access: | http://hdl.handle.net/10413/480 |