Mask Performance and The Imaging Consciousness: The relationship between body and non-body in performance
This study employs Jean-Paul Sartre’s theories of the ‘analogon’ and the imaging consciousness to develop the relationship between body and object in mask performance (Sartre, 1948:23). I suggest that the idea of the analogon allows for the body to be extended through, or invested into, objects to m...
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| Format: | Dissertation |
| Language: | Eng |
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Faculty of Humanities
2019
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| Online Access: | http://hdl.handle.net/11427/30512 |