The notion of physicality in vocal training for the performer in South African theatre, with particular reference to the Alexander technique
Voice training has been influenced by separatist attitudes which have allowed for classes which train the body to be separate from those which train the voice. This study acknowledges that to train an actor in separate compartments and then expect the completeness of human expression in performance,...
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| Format: | Others |
| Language: | English |
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Rhodes University
1991
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| Online Access: | http://hdl.handle.net/10962/d1002366 |