Encounters with Samulnori: The Cultural Politics of South Korea's Dynamic Percussion Genre
This dissertation interrogates how diverse actors ascribe semantic, affective, and political meanings to instrumental music under changing historical circumstances and in different performance contexts. In what I call an “ethnographic reception study,” I employ historical and ethnographic methods to...
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| Language: | en_US |
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Harvard University
2013
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| Online Access: | http://dissertations.umi.com/gsas.harvard:10493 http://nrs.harvard.edu/urn-3:HUL.InstRepos:10288955 |