THE THEORETICAL BASES AND CULTURAL ORIGINS OF THE MEANING OF DRESS IN WILLIAM HOGARTH'S WRITINGS AND WORKS OF ART
The first part of this thesis considers the origins and bases of theories of costume found in theoretical literature on art dating from the Renaissance to the eighteenth century. Taking a didactic view of art, Continental and English theorists borrowed rules of classical rhetoric, including the conc...
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http://purl.flvc.org/fsu/lib/digcoll/etd/3084692 |