Behind the Red Curtain: Nationalism and Satie's Parade
This thesis analyzes Jean Cocteau’s (1889–1963), Erik Satie’s (1866–1925), and Pablo Picasso’s (1881–1973) ballet Parade in the context of wartime nationalism. During the war, the dominant aesthetic was defined by traditionalism and Classicism. This aesthetic was rooted in the nation and opposed to...
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| Format: | Others |
| Language: | English English |
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Florida State University
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| Online Access: | http://purl.flvc.org/fsu/fd/2018_Sp_Duncan_fsu_0071N_14585 |