Noise, sound and objecthood: the politics of representation in avant-garde music
This essay offers both a historical analysis of twentieth century avant-garde practices relating to representation in music, and a prescriptive model for contemporary methods of composition. I address the taxonomy problem in classical music, clarifying the ontological divide identified by German mus...
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| Language: | English |
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2016
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| Online Access: | https://doi.org/10.7916/D8RF5V0K |