Woven Paintings, Woven Writing: Intermediality in Kesi Silk Tapestry in the Ming (1368-1644) and Qing (1644-1912) Dynasties
This dissertation explores pictorial kesi, silk-woven tapestry, from its origins in China through the Qing dynasty, focusing on objects and sources from the Ming and Qing periods. While pictorial kesi imitated the visual appearance of paintings and calligraphy, no in-depth study of the three media i...
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| Language: | English |
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2015
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| Online Access: | https://doi.org/10.7916/D83X862P |