Phenomenon and Abstraction: Coordinating Concepts in Music Theory and Analysis
This dissertation explores the habits of thought that inform how music analysts conceptualize the music they study and how this conceptualization affects the kinds of claims they make and the discursive practices adopted to express them. I aim to clarify these issues in music-theoretical conceptuali...
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Language: | English |
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2017
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Online Access: | https://doi.org/10.7916/D83202T7 |