Talking Sense: Sensory Communication in Samuel Beckett's The Unnamable, Film and Quadrat I II
This thesis discusses Samuel Beckett's non-verbal language, as observed in his novel, The Unnamable, his film, Film, and his pieces for television, Quadrat I + II. Beckett's sensory focus is nascent in The Unnamable, as Beckett explores the disintegration of verbal language in order to pre...
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| Language: | en |
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University of Canterbury. Humanities
2014
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| Online Access: | http://hdl.handle.net/10092/9934 |