TONE ROW PARTITIONS IN SCHOENBERG'S MOSES UND ARON The Volk Partition and the Zwischenspiel Partition
Arnold Schoenberg's development of twelve-tone serial ism in the early 20th Century had profound and far-reaching impact on the musical world. As Schoenberg himself grew and matured as a composer, so did the compositional technique of, and indeed his proficiency with, serialism. The opera Moses...
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Digital Commons @ Butler University
2015
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| Online Access: | http://digitalcommons.butler.edu/grtheses/264 http://digitalcommons.butler.edu/cgi/viewcontent.cgi?article=1262&context=grtheses |