Technology and artistic practice in 1960s and 1970s Southern California
This dissertation traces the ways in which the emergent countercultures on the West Coast, in parallel with the high-technology industrial complex of Southern California, fostered ad-hoc experimentation with technology in studio and post-studio practices. In the studio, individual artists researched...
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| Language: | en_US |
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2016
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| Online Access: | https://hdl.handle.net/2144/16035 |