Revisiting digital musical sampling cases through a democratic experimentalist perspective with a particular focus on Grand Upright Music Limited v. Warner Brothers Records, Inc.
Digital sampling, wherein excerpts from pre-existing recordings are incorporated into a new recording, has been a vibrant and innovative manner of artistic creation since the 1960s. However, this practice has engendered complex infringement litigation, blurring the commonly understood lines that sep...
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| Language: | en_US |
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2016
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| Online Access: | https://hdl.handle.net/2144/15297 |