The trajectory of modern ceramic scholarship: Okuda Seiichi's ceramic appreciation in the Taishō period, 1912 – 1926
My dissertation investigates the connection between hobby (shumi), aesthetic appreciation (kanshō), and the imagining of Japan-centered “oriental ceramics” (tōyō tōji) in Okuda Seiichi’s thought during the period of rapid modernization and aesthetic nationalism that accompanied Japanese imperialist...
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| Language: | en_US |
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2016
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| Online Access: | https://hdl.handle.net/2144/14557 |