The music technologist as collaborator in the contemporaneous co-creation of audio artefacts
This PhD portfolio of commercially available album releases exemplifies aspects of my practice as I have navigated through the roles of engineer, producer, composer and collaborator over an eight-year period. The six outputs explored are drawn from a wider catalogue of over twenty album credits. The...
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University of Salford
2017
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.736459 |