Sound recording in the British folk revival : ideology, discourse and practice, 1950-1975
Although recent work in record production studies has advanced scholarly understandings of the contribution of sound recording to musical and social meaning, folk revival scholarship in Britain has yet to benefit from these insights. The revival’s recording practice took in a range of approaches and...
| Main Author: | |
|---|---|
| Published: |
University of Newcastle upon Tyne
2017
|
| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.728354 |