Reframing drag performance : beyond theorisations of drag as subverting or upholding the status quo
Since the publication of Mother Camp: Female Impersonators in America in 1972, drag performance has been an object of fascination for many French and Anglo-American queer and feminist theorists. Employing an intersectional, transfeminist approach, I explore central preoccupations traversing diverse...
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University of Warwick
2016
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| Online Access: | https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.720481 |