Establishing a critical framework for the appraisal of 'noise' in contemporary sound art with specific reference to the practices of Yasunao Tone, Carsten Nicolai and Ryoji Ikeda
Yasunao Tone, Carsten Nicolai and Ryoji Ikeda are three practitioners representative of electronic music and sound-art practices that emerged in the 1990s where sound materials not normally considered musical, such as digital clicks, glitches and bursts of white noise, are prevalent. It is notable t...
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University of Surrey
2016
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.701604 |