The feet at the foot of the curtain : the individual subject in the work of Friedrich Schlegel, Arthur Schopenhauer and Max Stirner
The present thesis does not, following the cautionary example of Dupuis and Cotonet, seek to define romanticism. The fatuity of their lexigraphical project, in light of Friedrich Schlegel’s expansive ‘theory’ of ‘romantic poetry’, soon becomes clear. Schlegel’s ‘theory’ aspired to elude categorisati...
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Goldsmiths College (University of London)
2016
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.700461 |