A contemporary voice for the female protagonist : an exploration of the collaborative creative process : the development and synthesis of vocal techniques in the realisation of premiere music performances
It is vital to increase the body of work where the female character acts as protagonist, rather than the foil for the masculine “norm” (McClary 1991). It is the intention of this candidature to present performances of several new music works that focus on the experience of the female character and v...
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University of Salford
2016
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.686980 |