The ideal Orpheus : an analysis of virtuosic self-accompanied singing as an historical vocal performance practice
Evidence of self-accompanied singing in western music permeates elite music making from classical antiquity to the early twentieth century. Originating in the mythology and culture of Ancient Greece, self-accompanied singing became an idiomatic component of medieval song and early Christian depictio...
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University of York
2013
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.677360 |