A model for the interpretation of the ceramic object located in the museum developed through post-disciplinary, post-studio practice
This research is initiated through an examination and mapping of the contemporary ceramics discourse within the United Kingdom and is situated from 1994 until the completion of my PhD study in 2014. This analysis of the practical and theoretical fields of ceramics practice provides a framework withi...
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University of Sunderland
2015
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.675275 |