Art and reflexivity in post-1960 European cinema
This thesis explores the use and influence of painting in post-1960 European cinema as it relates to a host of reflexive practices which, through either their adoption or rejection, help to define “modernist” film. The formal and thematic presence of painting in the films of key European <i>au...
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University of Edinburgh
2006
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.664085 |