A comparative style analysis of five early-to-mid sixteenth-century lamentation composers : Juan Escribano, Costanzo Festa, Elezear Genet (Carpentras), Cristóbal de Morales, and Yvo Nau
The dissertation begins with an analysis of paraphrase technique. It assesses each composer's use of the available lamentation tones, creation of imitative material, and their influence on the style of composition. The extent of the presence of <I>cantus firmus</I> material within a...
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University of Edinburgh
1999
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.657930 |