Educating the emotions : affect, genre film and ideology under Stalin
This thesis explores the process of 'Sovietising' the emotions through the framework of the genre film. The reorientation of the film industry in the 1930s towards mass entertainment, I argue, saw a turn to generic formulas as a means to increase the emotional impact of cinema on its audie...
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University College London (University of London)
2011
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.625724 |