Semantic fluidity : Samuel Beckett, repetition and modern music
Music abounds in Irish literature. Whether these sounds be the “thought-tormented” music of Joyce’s “The Dead”, the folk tunes and opera that resound throughout Ulysses, or the four-part threnody in Beckett’s Watt, it is obvious that the influence of music on the written word in Ireland is significa...
Main Author: | |
---|---|
Other Authors: | |
Published: |
University of Liverpool
2013
|
Subjects: | |
Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.617456 |