Autopia : space, movement and identity in the French road film since 1968
This thesis argues that, in the years since 1968, the road film has played a significant part in French cinematic culture. Against much criticism which has tended to view the road film merely as an imported American genre, I argue for its specificity and pertinence to this modern French context. Cen...
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University of Cambridge
2010
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.596139 |