Representation, gender and women in Black South African popular music, 1948-1960
The emergence of the commercial mass media catering for urban black South African audiences during the 1950s provided opportunities for the negotiation of new professional spaces for women musicians; they became ambiguous icons of urban black aspirant identity, and sites for the contestation of emer...
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University of Cambridge
2000
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.595465 |