Weaving and unravelling narratives of the self: representation of subjectivity in video art c.1970-2000
In the late 1950s, a new medium sprung out of televisual technology to become the latest tool of representation. Pioneering video artists affected audiences by targeting their perception of reality, opening space for new subjective experiences, and investigating the phenomena of consciousness. What...
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University of London
2012
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.580622 |