Record production and the construction of authenticity in the Beach Boys and late-sixties American rock
This thesis explores the paradox that occurred at the time that rock emerged as a new genre in America in the mid-1960s. Recordings were becoming increasingly manipulated in the studio, but at the same time there emerged a growing ideology of authenticity that developed as the decade progressed, fir...
| Main Author: | |
|---|---|
| Published: |
University of Nottingham
2010
|
| Subjects: | |
| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.523116 |