Beyond difference : history, affect, and Djuna Barnes's New Modernist subject
This thesis examines the role of affect, subjectivity, and intertextuality in the major works of Djuna Barnes (1892-1982). I propose a theory of Barnes’s modernist textuality based on the traumatic structure of belated understanding; specifically, I consider how remembering trauma involves a re-enac...
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University of York
2010
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.520060 |