Idiosyncrasies in the late Mughal painting tradition : The artist Mihr Chand, son of Ganga Ram(Fl. 1759-86)
This thesis examines the stylistic development of the artist 'Mihr Chand, son of Ganga Ram' (fl. 1759-86), who travelled across northern India in the hope of finding a beneficent patron. The initial hypothesis, which this thesis proposes, is that Mihr Chand's idiosyncratic approach to...
| Main Author: | |
|---|---|
| Published: |
SOAS, University of London
2009
|
| Subjects: | |
| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.509271 |