Constructing national identities through exhibition practices in post-war London : Anglo-French exchanges and contemporary sculpture on display, c.1945-1966
This thesis explores exhibition practices in London between 1945 and 1966 through displays of contemporary sculpture related to Britain and France. The analysis of a selection of government funded, private and commercial galleries and organisations reveals how processes of selection, display, catalo...
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University of Birmingham
2008
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.503470 |