Psychological modernity and the filmic project of the surrealists, 1918-1930
This thesis examines the importance of a psychological conception of modernity for the filmic project of Surrealism. It posits two motivations behind this theorisation, the first as the surrealists' interest in the developments of psychology and the seconds as contemporaneous emphasis on the fi...
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University of Manchester
2004
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.492076 |