An examination of the composer/performer relationship in the piano style of J.N. Hummel
Our age sees in Hummel the "transitional" figure par excellence. A pupil of Mozart, Haydn, Clementi, Al-brechtsberger and Salieri, he carried the Classical piano style to its limits, frequently trespassing on the Romantic, and his importance for the subsequent development of music in that...
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University of Leicester
1981
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.491200 |