Abramtsevo: Multiple Cultural Expressions of a Russian Folk and Religious Identity
This thesis is premised on two assumptions; firstly that art historians, for the most part, have not engaged sufficiently with Russian art in its cultural context, and secondly that the multiple cultural activities of the late nineteenth-century Abramtsevo artists' circle is pivotal to an under...
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University of Leeds
2009
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.489850 |