Where did the music come from? : maintaining and extending the 1960s hard bop legacy of Hammond organ practice in a large ensemble context at the beginning of the 21st century
This PhD submission consists of two discrete parts: Part one is a thesis which examines some of the current debates of cultural and critical theory as a background to my own practice and looks in particular at some of the ways in which music production and performance in this period relates to my ow...
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University of Newcastle Upon Tyne
2007
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.442215 |