The establishing shot, film space and the Czechoslovak New Wave
In this thesis I have attempted to reveal the aetiology of the absence of the establishing shot in the editing style of the Czechoslovak New Wave. I have demonstrated that the Czechoslovak New Wave had a unique way of editing that differentiated it from those other so-called new cinemas, which were...
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University College London (University of London)
2005
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.420937 |